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S45 S46 Atrium n An inner courtyard of a home or The atrium's indoor garden, which trio sm A arquitetura singular, definida pelo other building that is open to the sky is larger than one-third of an acre, is prisma de vidro transparente que abriga o or covered by a skylight. S47 Brigadeiro II S48 Balcony n A platform projecting from the wall The iridescent mosaic tiles and Balco sm No andar superior, o balano of a building, usually resting on undulating gallery gives the house a esquerda um balco corrido contguo ao brackets or consoles, and enclosed by cheerful expression until one's eyes rise jantar, o frontal se divide S50 a parapet; for example as a balcony to the heavy wrought-iron balcony, in front of a window.
The term is which rises up like masks S49 also applied to a projecting gallery in places of amusement; for example the balcony in a theatre. S37 Baroque a Of, relating to, or being a style of art Many writers draw no distinction Barroco a No fez parte de nenhuma escola. Foi and architecture prevalent from the between the words rococo and buscar no simbolismo as referncias da latter part of the 16th century to the baroque, which are far from natureza, a ornamentao no Barroco e o latter part of the 18th century, synonymous WTN sensual na Art Noveau.
Teve um destino marked by dynamic opposition and irnico, praticando o que acreditava For Botaru sm The decorative possibilities of botaru angular sul, de andares, uma merely to stiffen a wall, it is called a the buttress were discovered in the pequena escada de acesso ao campanrio pier, rather than a buttress.
S37 ancient temples at Abu Shahrein in S53 Mesopotamia B. S52 Ceramic tile Any of a wide range of sturdy floor Modernist architects were much given Azulejo sm Gaud trabalhava nela como quem faz n and wall tiles made from fired clay to using ceramic tiles but the um castelo de areia, salpicando detalhes e and set with grout. May be glazed or unprecedented structural systems Gaud ignorando as linhas retas. Sempre usando unglazed. Colors and finishes vary.
S55 S39 tiles into his creations set him apart from the rest. S54 Chevet n The extreme end of the chancel or The chevet of the church is semi- Cabeceira sf O que de mais importante resta da choir in a church; the term being circular.
As a whole the building it igreja a cabeceira formada por capela- properly used to describe the round homogeneous and has much to mor, cuja abbada foi reconstruda, e or polygonal part. S37 fascinate the visitor. S56 quatro capelas secundrias intercomunicantes Uma vez mais Gaud recusa os ngulos Mais n that is placed on the top of a chimney forming an abstract sculptural e as esquinas e as chamins assumem especifica- in order to increase the draft.
S13 de chamin and mosaic, also set a precedent which Gaud was often to follow. HWA Colonnade n A row of columns, frequently The exterior of the cupola is in three Colunata sf " Assim, no Parque Variao: covered with a roof projecting from stages with a magnificent dome over a Gell h uma colunata drica, na Casa colunada an adjacent building.
Colonnades collonade of columns. The exterior Vicens, elementos hispano-rabes, etc S58 building or an open court or square, it is called a peristyle. S 37 An area of ground that is surrounded Gaud had a freer hand in the much Ptio sm a estrutura do que era o quartel- by buildings, lies inside a large larger and more unified Casa Mil general dos Cavaleiros de S.
Joo, um Courtyard n building, or is adjacent to a building , which he built round two grande conjunto de edifcios cerca de and enclosed by walls. MERL nearly circular courtyards in the same 4. HWA central aberto. S7 attention to detail. AD reviving craftsmanship. S25 conventional cruciform Gothic church. As caractersticas predominantes dome MERL the interior , culminates in the seriam a cpula parte superior e cncava central domed hall, which rises to the dos edifcios e a planta de eixo central, top of the building and is lit by a tambm chamada de planta de cruz grega cupola lined with hexagonal tiles and quatro braos iguais.
A cpula punctuated with numerous small procurava reproduzir a abbada celeste HWA ptio. S4 entablature which, decorated with diversas formas. S16 moulded ceramics, also serves as a bench terminating the roof terrace.
HWA Entablature In classical architecture, the section The principal building is the Greek Entablamento A escolha do estilo levou a uma that lies between the columns and the Theatre, with tilted Greek Doric sm composio dos alados exteriores, n roof. It comprises, from bottom to columns surmounted by an undulating simtricos dois a dois, onde se empregou top, the architrave, frieze, and entablature which, decorated with a ordem drica, sem caneluras no fuste, cornice. MERL moulded ceramics, also serves as a em pilastras monumentais que vencem os bench terminating the roof dois andares do edifcio at o terrace.
HWA entablamento que o circunda. S17 Faade n The face of a building, especially the The stone faade of the Casa Mil is Fachada Compreende a fachada do edifcio todas principal or front face showing its enlivened with balconies of wrought sf as suas partes externas most prominent architectural features iron tortured so as to resemble visveis e tambm as no visveis frente, MERL glistening bunches of seething fundos e laterais.
S22 seaweed, perhaps the most vivacious Art Nouveau metalwork anywhere. HWA Finial n A carved decoration at the top of a In the Nativity transept, with Remate sm No interior, a nave, do lado da Epstola, gable, spire, or arched structure. S31 astonishing height, crowned with tentacle-like finials of coloured broken tiling. The columns are not vertical but sm dos modelos gticos, havendo colunas arcboutant ; not be supported by ordinary near the top shown have an inward inclinadas que assumem o papel de buttresses.
It consists of a straight bar branching making a parabola that arcobotantes; e, sobretudo, prevalece L2 arco of masonry, usually sloping, carried eliminates the need for flying uma relao orgnica entre o interior e o botante on an arch, and a solid pier or buttresses S61 exterior, conseguida merc de buttress sufficient to receive the originalssimas solues de problemas thrust.
The word is generally applied estruturais S62 only to the straight bar with supporting arch. S37 Gable n The portion of the front or side of a Its symmetry, balance and orderly Fronto sm Em meio de quadra, a Casa Calvet building enclosed by or masking rhythm are unusual for Gaud's works. RHW However, the curves and double gable simtrica, animada sutilmente, de frente at the top, the projecting oriel at the para a rua, pela rusticao da fachada entrance--almost baroque in its drama, ptrea com as sacadas e frontes curvos, and isolated witty details are enquanto a fachada s S64 modernista elements.
S63 Gothic n General term for a style of Antoni Gaud began as a Gothic Gtico a A arquitetura gtica se apoiava nos architecture and ornament prevalent Revivalist but in his characteristically princpios de um forte simbolismo between the twelfth and sixteenth exuberant Casa Vicens the railings teolgico, fruto do mais puro pensamento centuries, considered old-fashioned and gates have an early Art Nouveau escolstico: as paredes eram a base in the seventeenth and early flavour.
HWA espiritual da Igreja, os pilares eighteenth centuries, characterised by representavam os santos, e os arcos e os pointed arches, ribbed vaulting, and nervos eram o caminho para Deus. S8 flying buttresses, and by grotesque decorations; when it came back into fashion in the mids, it was celebrated as a symbol of British patriotism. S3 Grille n 1 a : a grating as of wrought iron, The work stretched out for thirteen Grade sf No Brasil, o art nouveau chegou bronze, or wood forming an often years due to lack of funds, until finally atravs da influncia francesa, elaborate openwork barrier, screen, Jeroni Martorell was able to make the especialmente na decorao de interiores, or cover as to a door, window, or magnificent wrought-iron grille that grades e objetos de ferro forjado.
A other opening WTN closes the grotto As paredes costumam ter contornos irregulares e medir mais de 1 mm de espessura. Enfisema pulmonar. Enfisema bolhoso.
Enfisema intersticial. Enfisema panacinar. Enfisema parasseptal acinar distal. Espessamento de septos interlobulares. O espessamento septal pode ser do tipo liso Figura 23 , nodular Figura 24 ou irregular.
Estruturas centrolobulares. Faveolamento favo de mel. Fissura cissura.
Linhas intralobulares. Na maioria dos casos, localiza-se nos membros inferiores, podendo levar a deformidades e fraturas. Opacidade linear. Imagem linear fina, alongada, com densidade de tecido de partes moles. Opacidade pendente. Podem ser identificadas em pacientes com adenocarcinoma, carcinoma bronquioloalveolar e pneumonia.
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